This could just as easily fit in the WTF thread but since it's music related, I figured I'd post it here. Looking at these photos reminds me of a conversation I was privy to at a record show a year or so ago. This guy had accumulated so many albums that it was next to impossible to navigate a path through his house. Fed up with it, his wife gave him an ultimatum, either the albums had to go or she was going to leave him. He chose his albums.
The report appears in The Journal of Longitudinal Studies.
Co-authors Hanphram T. Zennels and Moira Beverley have found that fans of R.E.M. earn $4,400 more, annually, than fans of The Replacements. (All dollar amounts are gross pre-tax income.)
However, Replacements fans exhibit far greater levels of happiness, shaped by what the authors called “their ability to see everything that is bad, and good, be aware of all that, and realize that life is what obtains, not what should obtain. This realism of the Replacements fan appears to free him or her from pathological levels of depression, and also fosters a joyful, wry humor.”
R.E.M. fans, on the other hand, suffer from what Zennels and Beverley call “a near-constant need for idealistic reinforcement. The only way the world makes sense to them is to pretend it’s something that it isn’t. This cultivates a selfishness and narcissism that translate into higher earnings through the mechanisms of flattering superiors and doing superficially valuable work without regard to fundamental worth.”
This seems like an appropriate thread to post this. A few months ago I heard a Vic Chesnutt song on the local indie station, loved it, Googled the lyrics to find the name as soon as I got to work, then promptly forgot all about it.
Only clues I can offer at this point are
a) it was on the short side, maybe <2 minutes b) the word medicine may have been part of the lyrics c) it had kind of a wistful/melancholy feel, not unlike Ryan Adams' "Dear Chicago"
Anybody?
Edit: found it again, it was In Amongst the Millions.
The most recent issue of Rolling Stone (with a naked Doogie Howser on the cover) has a big profile of the Black Keys. Pretty decent read, although, just like the last time they were profiled in RS, both Carney and Auerbach come across a little, for lack of a better word...bro-ish. Kinda douchey.
Anyway, one part that surprised me was Auerbach saying that until this most recent album he's never used music in a cathartic way, or as a means of dealing with emotions.
Isn't that kinda shocking for someone who's made a shit-ton of money co-opting the blues...?
More than a few similarities to how a lot of songwriting duos seem to work (from the outside looking in at least), including I would imagine the Dimmer Twins.
Markalanbishop wrote:Nothing groundbreaking here but a slightly different twist on the usual analysis, and I'm one of those people who can never get enough of the Beatles. http://www.theatlantic.com/features/arc ... =longreads
More than a few similarities to how a lot of songwriting duos seem to work (from the outside looking in at least), including I would imagine the Dimmer Twins.
Never mind the article, check out the comments. W/ all due apologies to the band's retirement fund, I hope those folks never discover DBT.
FWIW, my understanding (not even a true opinion much less a true fact) is that Hood & Cooley write their own lyrics and basic melodies separately and the band collectively works out the arrangements and perhaps contribute to the melodies.
All opinions and commentary in my posts are solely my own and are made in my personal capacity.
Markalanbishop wrote:Nothing groundbreaking here but a slightly different twist on the usual analysis, and I'm one of those people who can never get enough of the Beatles. http://www.theatlantic.com/features/arc ... =longreads
More than a few similarities to how a lot of songwriting duos seem to work (from the outside looking in at least), including I would imagine the Dimmer Twins.
Never mind the article, check out the comments. W/ all due apologies to the band's retirement fund, I hope those folks never discover DBT.
FWIW, my understanding (not even a true opinion much less a true fact) is that Hood & Cooley write their own lyrics and basic melodies separately and the band collectively works out the arrangements and perhaps contribute to the melodies.
The pedantic tendencies of both the author of the piece and those commenting on it make us here at 3DD look like pikers and really, that's saying something.
We call him Scooby Do, but Scooby doesn’t do. Scooby, is not involved
I managed to score an interview with Eddie Kramer, who has engineered and produced some of the most seminal albums in rock history. It was pretty cool. Check it out:
Jack Flash wrote:I managed to score an interview with Eddie Kramer, who has engineered and produced some of the most seminal albums in rock history. It was pretty cool. Check it out:
Jack Flash wrote:I managed to score an interview with Eddie Kramer, who has engineered and produced some of the most seminal albums in rock history. It was pretty cool. Check it out:
So I've been immersing myself in the music of American Music Club and the Red House Painters and holy shit. I'd say AMC nailed the typical "alt country" sound earlier than any of the so called seminal bands and have more in common with the 90's/00's alt country sound than any of the commonly cited fore bearers (rank and file, true believers, scorchers etc) but hardly ever get mentioned in alt country discussions. If you're unfamiliar with them, give everclear or the united kingdom/California combined set a listen.